From Ruth to Kohelleth – a Visual Midrash Project

From ruth to kohelleth: a study in Hebraic consciousness, reflecting echoes of visual midrash, establishing a transformative experience-based encounter with text and a framework for participant creativity in their own visual midrash.

Adult life, especially around retirement and or relocation, does not come with a user’s manual. The question each of us must ask and answer for ourselves is how can we achieve a meaningful life that will lead to our welcoming each day as a blessing? This workshop explores various roadmaps for personal self-understanding and meaningful goal setting including that of the biblical Jonah, the Song of Songs, Proverbs, and Ecclesiastes -each work attributed by tradition to the wise Solomon at progressive stages of his life.

Ruth – Exploring the Future.

David – The David Scenarios

Solomon – The Life Cycle

King Solomon, a model for Adult Jewish Life?  Through the scriptures attributed to the authorship of Solomon, we explore the characteristics of Jewish Adulthood.

 

Song of Songs – A healthy approach to the sensual and creativity

Proverbs – Maturity and growing Wisdom

Koheleth – Aging, a source of cynicism or life appreciation?

Rediscovering our Hebraic Consciousness

Recovering our Hebraic Consciousness

Jewish history is the prototype for the creative tension and energetic interplay between subjugation and freedom, between local action and global consciousness, between narrow unidirectional thought and open-ended systems thought, between spiritual and material realms, and between being rooted in one’s own culture and exploring others. This tension and interplay can become the stimulus and raw material for forging new directions for art in our era of globalization.

Alexenberg, Mel. The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness (pp. 16-17). Intellect Books Ltd. Kindle Edition. 

Hebraic thought celebrates dynamic, multiform, time- centered, open systems in which spirituality is drawn down into every part of our daily lives. Rather than a quest for purity of form in some heavenly realm, Judaism seeks to reveal spirituality in the rough complexities of earth-bound living.

Alexenberg, Mel. The Future of Art in a Digital Age: From Hellenistic to Hebraic Consciousness (p. 17). Intellect Books Ltd. Kindle Edition. 

Post Holocaust and Post 1948 estbablishment of the State of Israel, we are witnessing the rediscovery and recovery of our Hebreic Consciousness  from two phases of our Jewish history. Both the Prophets and the Rabbis felt the necessity to subjugate the Hebraic consciousness in the service of the survival of the Jewish people. 

The prophets could not bear the  impression that the gods of the other peoples could over power the God of the Israelites. The Rabbis turned this sentiment into the powerful negation of life in exile – “because of our sins we have been exiled from our land.” 

The Legacy of the Prophets – Defeats demonstrate the global power of the God of Israel.

As the historian, Martin Noth, develops the notion, the prophets would not accept

that “ the God of Israel was now succumbing to the gods of the victorious Assyrians who appeared to be proving themselves even stronger, and in whose name and at whose

behest the conquering Assyrian kings, as they solemnly aver in their inscriptions, were taking the field.” (Noth, The History of Israel, P. 256) 

Rather it was the God of Israel “proving Himself to be the God not of a tribal confederation…but the Lord of the World, standing above the whole of human history.”(P. 256)

Indeed, it was the prophetic notion that “;it was God’s purpose to execute an annihilating judgment on the present condition of this people because of its unforgivable

faithlessness and disobedience.The prophets dared declare that God was using the whole history of the ancient Orient for this one purpose”(Noth, P. 256)

The loss of political independence brought with it a sense of impotence which was projected onto a potent God and then later the ultimate male Father God. Exile reinforced the sense

of sin and punishment, a rationalization of suffering.

The Legacy of the Rabbis – The Father God who has Exiled us from our Land.

The historian, Ellis Rivkin, suggests that it was the Pharisees who developed the teaching of God the Father. Rivkin writes:

“God, so the Pharisees taught, was preeminently a Father, not only the Father of a people, but the Eternal Father of the individual. He was the Father who was always there, always available, always just, merciful, and understanding. Unlike one’s human father. He was not mortal and transient; He was not imperfect; He was not only sometimes available. And, unlike one’s real father. He could penetrate into one’s inner self and evaluate and measure the loyalty to His Law. There was no escaping His eye, for as a Father he was personally concerned with every one of His children and their salvation. The realization that the Father in Heaven had a personal interest in the meanest of individuals, one who was neither prophet, priest, nor scholar—and that this Father was the very one who had created the entire universe and had wrought awesome wonders for Israel—could hardly have left any individual unaffected. The sense of worth, of self-esteem, of dignity, of equality that it generated must have been intoxicating.”

(The Shaping of Jewish History. P. 57)

Intoxicating, yes, but also repressive. The security was bought at a price. The price was the throwing off of a more balanced human sexuality in favor of a more repressive mode.

Recapturing the freshness of our Biblical Past

What kept Judaism and the Jewish people alive through the centuries was not only the hope of a full return to political independence but also the literature of its existence as a free, independent entity. Robert Gordis writes of the Song of Songs:

“The freshness of the poetry, the naturalness of the references to the Palestinian landscape, and the unabashed attitude toward love all seem to point to the period before the Babylonian exile. No national disaster had yet east its shadow over the temper of the people, and there is no echo as yet of the deepening of the religious consciousness which followed the restoration under Cyrus and the reforms of Ezra and Nehemiah.”

(Gordis, The Song of Songs. KTAV, P.

Judaic consciousness vs. Hebraic consciousness

Gordis reflects “there is no echo of the religious consciousness” a consciousness herein referenced as Judaic consciousness.  

Ground Rules for Group Communication

Ground Rules for Group Communication

  1. “Be heedful of thy words, lest through them they learn to falsify”
  2. Hillel used to say, “If I am not for myself, who will be? And If I am only for myself, what am I and if not now, when?
  3. ‘Say little and do much”
  4. “I have found naught of better service that silence”
  5. “know what is above thee – a seeing eye and a hearing ear”
  6. “Separate not thyself from the congregation”
  7. “Judge not thy fellowman until you have come into his place”
  8. “Say nothing which cannot be understood at once, in the hope that it would be understood in the end.”
  9. “In a place where there are no men, strive to be a man.” – In a place where this is no mensch, strive to be one.”
  10. “Ye shall not steal; neither shall ye deal falsely, nor lie to one another”
  11. “Thou shalt not curse the deaf, nor put a stumbling block before the blind.”
  12. “Thou shalt not go up and down as a talebearer among thy people”
  13. “Thou shalt not hate they brother in thy heart; thou shalt surely rebuke thy neighbor, and thou shalt not bear sin because of him…but thou shalt love thy neighbor as thyself.”
  14. Hear O Israel
  15. All Israel is responsible for each other”

Kabbalah Steps toward Creativity

Mel Alexenberg

Sephirot

 

The creative process

 

The kabbalistic model of creative process, both Divine and human, is depicted by ten sephirot with twenty-two pathways linking them. It is called a “Tree of Life.” It was crystallized by Rabbi Isaac Luria, known as The Ari, and his circle in the Galilee mountain town of Tzfat in the sixteenth century.

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 49). Elm Hill. Kindle Edition.

 

Keter

 

Crown (Keter), the will and intention to create, essential to setting the process of creation in motion. Crown is the single sephirah of the World of Intention.

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 49). Elm Hill. Kindle Edition.

 

The first stage in the creative process is the sephirah Crown (Keter)—the will to create coupled with faith that one can create, and anticipation that the creative process is pleasurable. Without this intention, self-confidence, and hope for gratification, the creative process has no beginning.

 

Alexenberg, Melvin L. . Through A Bible Lens (pp. 77-78). Elm Hill. Kindle Edition.

 

Hokhmah

 

Crown sets the stage for the sephirah of Wisdom (Hokhmah) that requires a selfless state, nullification of the ego that opens gateways to supraconscious and subconscious realms. When active seeking ceases, when consciously preoccupied with unrelated activities, when we least expect it, the germ of the creative idea bursts into our consciousness. This sudden flash of insight is what the kabbalah calls Wisdom.

 

Alexenberg, Melvin L. . Through A Bible Lens (pp. 77-78). Elm Hill. Kindle Edition.

 

Binah

 

Like the sperm that is received by the ovum in the womb, the unformed germ of an idea from the sephirah of Wisdom enters into the sephirah of Understanding (Binah).

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 79). Elm Hill. Kindle Edition.

 

Together, Wisdom, Understanding, and Knowledge form the cognitive realm of thoughts. Knowledge both unites Wisdom and Understanding and is the gateway to the next six sephirot that form the affective realm of emotions.

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 79). Elm Hill. Kindle Edition.

 

Hesed

 

The fourth sephirah of Compassion (Hesed) is openness to all possibilities. I thought of the hundreds of artistic options open to me in creating computer angels and I loved them all.

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 79). Elm Hill. Kindle Edition.

 

 

Gevurah

Compassion is counterbalanced by the fifth sephirah of Strength (Gevurah), the strength to set limits, to make judgments, to choose between myriad options.

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 79). Elm Hill. Kindle Edition.

 

Tiferet

 

the sixth sephirah of Beauty (Tiferet). This sephirah represents a beautiful balance between the counterforces of Compassion and Strength. It is the feeling of harmony between all my possible options and the choices I had made. Beauty is the aesthetic core of the creative process in which harmonious integration of openness and closure is experienced as deeply felt beauty.

 

Alexenberg, Melvin L. . Through A Bible Lens (pp. 80-81). Elm Hill. Kindle Edition.

 

Netzah

 

The seventh sephirah of Success (Netzah) is the feeling of being victorious in the quest for significance. I felt that I had the power to overcome any obstacles that may stand in the way of realizing my artwork. Netzah can also mean “to conduct” or “orchestrate” as in the word that begins many of the Psalms. I had the confidence that I could orchestrate all the aspects of creating a multimedia symphony of computer angels arising from the bowels of New York City.

 

Alexenberg, Melvin L. . Through A Bible Lens (pp. 81-82). Elm Hill. Kindle Edition.

 

Hod

 

The eight sephirah of Splendor (Hod) is the glorious feeling that the final shaping of the idea is going so smoothly that it seems as effortless as the splendid movements of a graceful dancer. The sephirah of Success is an active self-confidence in contrast with the sephirah of Splendor, which is a passive confidence born of a trust in Divine providence that “all will be good.” It is the power to advance smoothly with the determination and perseverance born of deep inner commitment. It is the wonderful feeling that all is going as it should. CREATIVE INTEGRATION

 

Alexenberg, Melvin L. . Through A Bible Lens (pp. 81-82). Elm Hill. Kindle Edition.

 

Yeshod

 

The ninth sephirah of Foundation (Yesod) is the sensuous bonding of Success and Splendor in a union that leads to the birth of the fully formed idea. It funnels the integrated forces of intention, thought, and emotions of the previous eight sephirot into the world of physical action. In Chronicles 1:29, this sephirah is called All or Everything (kol). It channels everything that was playing out in my mind into the craft of making the artwork. It transports my private mental world into a public environmental arena in which I can create a product to communicate my ideas to others.

 

Alexenberg, Melvin L. . Through A Bible Lens (pp. 81-82). Elm Hill. Kindle Edition.

 

Malkhut

This tenth sephirah of Kingdom (Malkhut) is the noble realization of my concepts and feelings in the kingdom of time and space. It involves all the practical details that go into physically making an artwork.

 

Alexenberg, Melvin L. . Through A Bible Lens (p. 82). Elm Hill. Kindle Edition.

Hitler’s Degenerate Art, Midcentury Modernism and the Release of the Jewish Impulse for Creativity

An Environmental Multimedia Experience

A Multi-Media Performance Art Environmental Experience

Was it a coincidence that in 2014 , the art that Hitler called  “Degenerate” and “Design Home: Jews in Midcentury Modernism” were each the subjects of insightful museum installations? The former was at the Neue Galerie in New York, and the latter at the Contemporary Jewish Museum in San Francisco.

There is an historical connection , in that the Nazi campaign against the Jews and modern art led to the migration to North America of significant contributors to Midcentury Modernism, many of these contributors of Jewish birth.

Was it against the theme of  death by Nazi extermination and birth of the State of Israel that the Jewish impulse for creativity was released? Or was it also the mid Twentieth Century economic expansion in the United States that unleashed opportunities for Jews and others ,unburdened by religious discrimination or anti-Semitism?

Perhaps there has been within Jewish historical culture a deep-seated impetus to see the possible, to add to the beauty and improve the quality of life.

This program utilizes multi-media and performance art to explore Jewish contributions to Mid-Twentieth Century architecture, design, motion picture, theater, music,  literature, business and the sciences.

Dellheim’s work is between Degenerate Art and Modernism, helps explain Jewish involvement with Modernism

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