Jewish Artists owned by Palm Springs Art Museum

Last NameFirst NameGenreLinks
AgamYaakov
ArbusDiane
BaskinLeonard
BolotowskyIlya
BlumenscheinErnest
BorofskyJohnathan
ChagallMarc
ChicagoJudy
DineJim
EpsetinSir Jacob
FlackAudrey
FrankenthalerHelen
FriedlanderLee
GehryFrank
GottliebAdolph
GropperWilliam
GrossChaim
GustonPhilip
KatzAlex
Lassawibram
LevineJack
LibeskindDaniel
LipschutzJacques
LichtensteinRoy
MaxPeter
NeutraRichard
NeumanBarnett
NevelsonLouise
OlitskyJules
PennIrving
PerlsteinPhilip
RandArchie
RiversLarry
RothkoMark
SegalGeorge
ShahnBen
ShulmanJulius
SiskindAaron
SoyerMoses
SoyerRaphael
StieglitzAlfred
StrandPaul
WalkowitzAbraham
WeegeeArthur Feilig

Pardes

Biblical:

The Persian royal origin of “Pardes” is directly reflected in two of the three appearances in the Hebrew Scriptures, in Nehemiah and Ecclesiastes. The third appearance reflects an earthly sensuality characteristic of “hebraic consciousness” exemplified by the Song of Songs.

Nehemiah, along with Ezra led the people as they readjusted to being back in their homeland. The verse indicates his role in the rebuilding required, and Asaph’s management of the royal Pardes or gardens. It is a direct reference to the Persian culture of the pardes.

Nehemiah 2:8: “A letter to Asaph, the keeper of the king’s pardes, directing him to give me timber to make beams for the gates of the temple fortress, and for the wall of the city, and for the house that I shall occupy.”

Ecclesiastes is portrayed as an elderly affluent, former ruler, who reflects on his achievements while advising the reader to enjoy life. The pardes verse Ecclesiastes 2:5 reads: “I made myself pardesim and parks, and planted in them all kinds of fruit trees.” The verse indicates his ability to use his wealth and position to create and use more than one Pardes. While there is no direct reference to Persian origin, the use of pardes would be understood as a a symbol of wealth and luxury.

Ecclesiastes shares Rabbinic tradition attribution to the royal King Solomon with Song of Songs. It is with this reference that Pardes assumes a new and sensual aura.

4:13 “Your thighs shelter a paradise of pomegranates with rare spices— henna with nard.”

Pardes

Eternal Echoes

Eternal Echoes-Reading the Bible as Literature

As a literary work the Bible contains accounts of our human struggle for life’s meaning and records of attempts to answer questions. Echoes of these accounts have influenced the human creative spirit finding expression not only in weekly exposition by clergy, but in poetry, novels, plays, paintings, sculpture and other media.

Four sections will serve as examples of how to approach the Bible as an literary anthology of human experience: The Creation Myth in Genesis, The Sacrifice of Isaac in Genesis, The Book of Jonah and The Book of Ruth.

These sections will be read in class and examined as literature, examined against historical background and how they have found reverberations in the human experience.

Powered By EmbedPress

Nicolas Behrmann is an ordained rabbi having a B.H.L. and M.A.H.L from the Hebrew Union College in Cincinnati, Ohio. As an educator, counselor and preacher, he has devoted a lifetime to listening to these eternal echoes opening up the Bible for others as literature of human experience.

Translate »